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Eduardo Garcia
Bandoneon & Composition
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Bandoneon & composition
English Version
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Eduardo Garcia est né en Argentine, il étudie le bandonéon avec son père, Daniel Binelli, Nestor Marconi, Rodolfo Mederos, Alejandro Barletta (au Conservatoire National de Buenos Aires) et harmonie, composition et orchestration avec Eduardo Criscuolo, Gustavo Beytelmann et au C.I.M à Paris. A 20 ans il crée le sextet “Apertura“ avec lequel il obtient de nombreux prix de composition et interprétation. Il joue notament avec Horacio Salgan, Jorge Sobral, Orlando Tripodi, Tango x 2, etc... et se produit au théâtre, radio, télévision et en tournées en Amérique Latine. En 1992 il arrive en France, joue entre autre avec le Cuarteto Cedron, Gustavo Beytelmann, Miguel Angel Estrella, Antonio Agri, Luis Rizzo, Quinteto Sur, Jose Luis Barreto, la Orquesta Tipica de Cedron, Santos Chilemi, Minino Garay, Ombu, J.P.Poletti, François Beranger, Julie Zenatti, Lio, Dimitra Galani, Abed Azrie, etc.. Au théâtre il travaille avec Alfredo Arias (« Mortadela » ( Molière 93’ Meilleure comédie musicale) et « Mambo Mistico »), Karine Saporta (« Cabaret Latin »), Gérard Gelas (« Virgil, la nuit et l’exil sont blues » ) au Festival d’Avignon, les spectacles "Tangos" ( "H. Alba ) à l'Opera Bastille , “Eva Peron” ( Eve Ruggeri ), "America,”, “Otango”, etc… ​ Il est invité en tant que soliste à plusieurs reprises par l’Orchestre National de Chambre ​ de Toulouse et aussi par l’Orchestre Symphonique de Mulhouse, l’Orchestre de Compiègne, L’Orchestra of the Swan, l’Orchestre Symphonique de Saint Gallen, La Sinfonietta Sophia, la BBC de Londres ( In Tune ), etc… et pour la création des opéras “Che Buenos Aires” ( Expo universelle d’Hanovre 2000), “Destino Tango” et“ Odysseus & Navsicaa” ( Francisco Obieta ). Il crée la musique pour les pièces “Tango Tangage” ( J.MPiemme ), “Là-Bas”( Axelle Fontenay) , “ La Boca” et Boca Nova” (E. Oger ), “Manni piene di vento”, « Evento Tango » et « Motus Anima » ( Tango Ostinato ) et le film “Quejas de bandoneon” ( Julianne Schuler ). ​ Il vient d'enregistrer le CD 'Barcos' (bandoneon et quatuor a cordes) où il joue ses propres compositions et le CD “Encuentro” en duo avec l’harpiste Marielle Nordmann. La première mondiale de son “Triple Concerto pour Bandoneon, violon, cello and String Orchestra” vient d’être joué à Hereford ( Angleterre) et depuis novembre 2021 il se produit “seul en scène” avec sa piece de théâtre musical “Les Sept Vies de Lucia O.”
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Eduardo Garcia
Eduardo Garcia est né en Argentine, il étudie le bandonéon avec son père, Daniel Binelli, Nestor Marconi, Rodolfo Mederos, Alejandro Barletta (au Conservatoire National de Buenos Aires) et harmonie, composition et orchestration avec Eduardo Criscuolo, Gustavo Beytelmann et au C.I.M à Paris. A 20 ans il crée le sextet “Apertura“ avec lequel il obtient de nombreux prix de composition et interprétation. Il joue notament avec Horacio Salgan, Jorge Sobral, Orlando Tripodi, Tango x 2, etc... et se produit au théâtre, radio, télévision et en tournées en Amérique Latine. En 1992 il arrive en France, joue entre autre avec le Cuarteto Cedron, Gustavo Beytelmann, Miguel Angel Estrella, Antonio Agri, Luis Rizzo, Quinteto Sur, Jose Luis Barreto, la Orquesta Tipica de Cedron, Santos Chilemi, Minino Garay, Ombu, J.P.Poletti, François Beranger, Julie Zenatti, Lio, Dimitra Galani, Abed Azrie, etc.. Au théâtre il travaille avec Alfredo Arias (« Mortadela » ( Molière 93’ Meilleure comédie musicale) et « Mambo Mistico »), Karine Saporta (« Cabaret Latin »), Gérard Gelas (« Virgil, la nuit et l’exil sont blues » ) au Festival d’Avignon, les spectacles "Tangos" ( "H. Alba ) à l'Opera Bastille , “Eva Peron” ( Eve Ruggeri ), "America,”, “Otango”, etc… ​ Il est invité en tant que soliste à plusieurs reprises par l’Orchestre National de Chambre ​de Toulouse, l’Orchestre Symphonique de Mulhouse, l’Orchestre de Compiègne, l’Orchestre Symphonique de Saint Gallen, la BBC de Londres ( In Tune ), etc… et pour la création des opéras “Che Buenos Aires” ( Expo universelle d’Hanovre 2000), “Destino Tango” et “Odysseus & Navsicaa” ( Francisco Obieta ). Il crée la musique pour les pièces “Tango Tangage” ( J.MPiemme ), “Là-Bas”( Axelle Fontenay) , “ La Boca” et Boca Nova” (E. Oger ), “Manni piene di vento”, « Evento Tango » et « Motus Anima » ( Tango Ostinato ) et le film “Quejas de bandoneon” ( Julianne Schuler ). Il vient d'enregistrer le CD 'Barcos' (bandoneon et quatuor à cordes) où il joue ses propres compositions et le CD “Encuentro” en duo avec l’harpiste Marielle Nordmann. La première mondiale de son “Triple Concerto pour Bandoneon, violon, cello and String Orchestra” vient d’être joué a Hereford ( Angleterre) et depuis novembre 2021
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“Encuentro” Bandoneon + Harpe
“Aura” Bandoneon + Voix+ Violoncelle
“Solo” Solo Bandoneon
“Barcos” Bandoneon + String Quartet
Conference Musicale “La folle histoire du Tango”
“Les Sept Vies de Lucia O.” Théâtre Musical
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“Encuentro” Bandoneon + Harpe
“Aura” Bandoneon +Voix+ Violoncelle
“Solo” Solo Bandoneon
“Barcos” Bandoneon + String Quartet
“Les Sept Vies de Lucia O.” Théâtre musical
Conférence Musicale “La folle histoire du Tango”
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Encuentro . Marielle Nordmann Eduardo Garcia ​ A quelques années d'intervalle, Eduardo Garcia et Marielle Nordmann se découvrent, chacun leur tour, en spectateur et soliste avec l'Orchestre National de Chambre de Toulouse. De cette écoute de l'autre, et avant même de jouer ensemble, ils avaient pressenti un univers artistique où leurs émotions étaient les mêmes. Dix ans plus tard, ils sont allés à la rencontre d'un monde musical qui allait exister, comme une évidence, un " encuentro ", une rencontre instinctive née d'un regard commun et d'une joyeuse curiosité …y a-t-il une meilleure façon de naitre ? Leurs premiers pas les ont déjà conduit à Bangkok, Berne,Budapest, Londres, Paris, Prague, Tel Aviv, Vienne
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Encuentro . Marielle Nordmann Eduardo Garcia ​ A quelques années d'intervalle, Eduardo Garcia et Marielle Nordmann se découvrent, chacun leur tour, en spectateur et soliste avec l'Orchestre National de Chambre de Toulouse. De cette écoute de l'autre, et avant même de jouer ensemble, ils avaient pressenti un univers artistique où leurs émotions étaient les mêmes. Dix ans plus tard, ils sont allés à la rencontre d'un monde musical qui allait exister, comme une évidence, un " encuentro ", une rencontre instinctive née d'un regard commun et d'une joyeuse curiosité …y a-t-il une meilleure façon de naitre ? Leurs premiers pas les ont déjà conduit à Bangkok, Berne,Budapest, Londres, Paris, Prague, Tel Aviv, Vienne
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Le duo offre un spectacle intimiste qui traverse toute l’histoire du tango en musiques et petites histoires. D’une grande complicité artistique, ces deux virtuoses transportent le public dans un univers passionant, créant des moments d’une rare émotion, associant tango traditionnel, contemporain et compositions d’Eduardo Garcia. Un repertoire haut en couleurs où se mêlent les sonorités joyeuses, puissantes et mélancoliques du Buenos Aires d’aujourd’hui
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Myrtille Hetzel Eduardo Garcia
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Eduardo Garcia
Le duo offre un spectacle intimiste qui traverse toute l’histoire du tango en musiques et petites histoires. D’une grande complicité artistique, ces deux virtuoses transportent le public dans un univers passionant, créant des moments d’une rare émotion, associant tango traditionnel, contemporain et compositions d’Eduardo Garcia. Un repertoire haut en couleurs où se mêlent les sonorités joyeuses, puissantes et mélancoliques du Buenos Aires d’aujourd’hui
AurA
Myrtille Hetzel Eduardo Garcia
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Solo Bandoneon solo ​ Le tango dans l'intimité. Le destin d'une musique résumé à travers la sonorité la plus emblématique de Buenos Aires. L' histoire d'un voyage qui démarre au milieu du XIX siècle en Allemagne, qui va traverser les bas fonds du Rio de la Plata pour devenir "la" sonorité représentative du tango.
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​ Le tango dans l'intimité. Le destin d'une musique résumé à travers la sonorité la plus emblématique de Buenos Aires. L' histoire d'un voyage qui démarre au milieu du XIX siecle en Allemagne, qui va traverser les bas fonds du Rio de la Plata pour devenir "la" sonorité représentative du tango.
Solo
Solo Bandoneon
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Barcos Eduardo Garcia Le Page Ensemble When I was a child I loved to spend many afternoons making paper ships. My mother used to croon some verses of a catalan poet (“playing at being happy from land to land “ ). Without knowing it, I was playing with my own history, of my family and the history of my country. Ships move us away from loved ones and often lead us to unknown lands of uncertain futures. The sailing is slow, like dragging one’s feet, but it give us time to look at the open sea and imagine our novel lives. These pieces are humble “sound ships” sailing hopeful seas…
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Eduardo Garcia
Bandoneon
String Quartet
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Eduardo Garcia
making paper ships. My mother used to croon some verses of a catalan poet (“playing at being happy from land to land “ ). Without knowing it, I was playing with my own history, of my family and the history of my country. Ships move us away from loved ones and often lead us to unknown lands of uncertain futures. The sailing is slow, like dragging one’s feet, but it give us time to look at the open sea and imagine our novel lives. These pieces are humble “sound ships” sailing hopeful seas…
String Quartet
Eduardo Garcia
Le Page Ensemble
Bandoneon
Barcos
When I was a child I loved to spend many afternoons
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'La Folle histoire du tango' Conférence musicale pour Ecoles, Collèges et Médiatèques “La folle histoire du tango” est un spectacle sur la fraternité, le mélange culturel et l’opportunité d’un nouveau départ... ou, comment des gens venus de différents horizons vont créer, ensemble, une nouvelle musique, une nouvelle culture commune, à travers laquelle s’identifier, partager des valeurs et exprimer des émotions universelles
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Eduardo Garcia
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Eduardo Garcia
'La Folle histoire du tango' Conférence musicale pour Ecoles, Collèges et Médiatèques La folle histoire du tango » est un spectacle sur la fraternité, le mélange culturel et l’opportunité d’un nouveau départ... ou, comment des gens venus de différents horizons vont créer, ensemble, une nouvelle musique, une nouvelle culture commune, à travers laquelle s’identifier, partager des valeurs et exprimer des émotions universelles
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"Les Sept Vies de Lucia O." La véritable histoire d’un destin extraordinaire ​ Face à son destin inexorable, la jeune Lucia comprend que la liberté ne se donne pas...elle se prend !
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A travers « Les Sept Vies de Lucia O. » on découvre une bouleversante et véridique histoire, celle d’une personnalité exceptionnelle au destin hors du commun ! Un récit entre l'Espagne, la France et l'Argentine joué et interprété par Eduardo Garcia.
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Mise en scène : Marielle Nordmann Création lumière : Ahcene Ait-Said ( Sissou ) Scénographie : Adda-Michelle Lahondès / Corinne Garcia Costume : Carmen Ojea Musique : Eduardo Garcia Durée: 1h10
Chargée de diffusion Stéphanie Gesnel L’impertinente Tel: 06 11 01 74 97 limpertinente93@gmail.com www.limpertinente93.com
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"Les Sept Vies de Lucia O." La véritable histoire d’un destin extraordinaire Face a son destin inexorable, la jeune Lucia comprend que la liberté ne se donne pas...elle se prend ! A travers “Les Sept Vies de Lucia O. on découvre une boulversante et veridique histoire, celle d’une personnalité exceptionnelle au destin hors du commun ! Un recit entre l’Espagne, La France et l’Argentine joué et interpreté par Eduardo Garcia Mise en scène : Marielle Nordmann Création lumière: Ahcene Ait-Said ( Sissou ) Scénographie : Adda-Michelle Lahondès / Corinne Garcia Costume : Carmen Ojea Musique : Eduardo Garcia Durée: 1h10
Teaser
Chargée de diffusion Stéphanie Gesnel L’impertinente Tel: 06 11 01 74 97 limpertinente93@gmail.com www.limpertinente93.com
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Welcome
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Eduardo Garcia
Bandoneon & Composition
English Version
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Welcome
Biography
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Eduardo Garcia
Bandoneon & composition
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Eduardo Garcia was born in Argentina, he studied bandoneon with his father, Daniel Binelli, Nestor Marconi, Rodolfo Mederos, Alejandro Barletta (at the National Conservatory of Buenos Aires) and harmony, composition and orchestration with Eduardo Criscuolo, Gustavo Beytelmann and at the C.I.M in Paris. At the age of 20 he created the sextet “Apertura” with which he won numerous composition and performance awards. He plays notably with Horacio Salgan, Jorge Sobral, Orlando Tripodi, Tango x 2, etc... and performs in theater, radio, television and on tour in Latin America. In 1992 he arrived in France, playing among others with the Cuarteto Cedron, Gustavo Beytelmann, Miguel Angel Estrella, Antonio Agri, Luis Rizzo, Quinteto Sur, Jose Luis Barreto, the Orquesta Tipica de Cedron, Santos Chilemi, Minino Garay, Ombu, J.P. Poletti, François Beranger, Julie Zenatti, Lio, Dimitra Galani, Abed Azrie, etc. In the theater he works with Alfredo Arias (“Mortadela” (Molière 93' Best musical) and “Mambo Mistico”), Karine Saporta (“Cabaret Latin”), Gérard Gelas (“Virgil, the night and the exile are blues” ) at the Avignon Festival, the shows “Tangos” (“H. Alba”) at the Opera Bastille, “Eva Peron” (Eve Ruggeri), “America,” “Otango,” etc… He has been invited as a soloist on several occasions by the Toulouse National Chamber Orchestra and also by the Mulhouse Symphony Orchestra, the Compiègne Orchestra, the Orchestra of the Swan, the Saint Gallen Symphony Orchestra, The Sinfonietta Sophia, the BBC in London (In Tune), etc… and for the creation of the operas «Che Buenos Aires” (Hanover World Expo 2000), “Destino Tango” and “Odysseus & Navsicaa” (Francisco Obieta). He created the music for the pieces “Tango Tangage” (J.MPiemme), “Là-Bas” (Axelle Fontenay), “La Boca” and Boca Nova” (E. Oger), “Manni piene di vento”, “Evento Tango” and “Motus Anima” (Tango Ostinato) and the film “Quejas de bandoneon” (Julianne Schuler). He has just recorded the CD 'Barcos' (bandoneon and string quartet) where he plays his own compositions and the CD 'Encuentro' in duet with harpist Marielle Nordmann. The world premiere of his “Triple Concerto for Bandoneon, violin, cello and String Orchestra” has just been performed in Hereford (England) and since November 2021 he has been performing “alone on stage” with his musical theater piece “Les Sept Vies by Lucia O.”
Eduardo Garcia
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Eduardo Garcia
Eduardo Garcia was born in Argentina, he studied bandoneon with his father, Daniel Binelli, Nestor Marconi, Rodolfo Mederos, Alejandro Barletta (at the National Conservatory of Buenos Aires) and harmony, composition and orchestration with Eduardo Criscuolo, Gustavo Beytelmann and at the C.I.M in Paris. At the age of 20 he created the sextet “Apertura” with which he won numerous composition and performance awards. He plays notably with Horacio Salgan, Jorge Sobral, Orlando Tripodi, Tango x 2, etc...and performs in theater, radio, television and on tour in Latin America. In 1992 he arrived in France, playing among others with the Cuarteto Cedron, Gustavo Beytelmann, Miguel Angel Estrella, Antonio Agri, Luis Rizzo, Quinteto Sur, Jose Luis Barreto, the Orquesta Tipica de Cedron, Santos Chilemi, Minino Garay, Ombu, J.P. Poletti, François Beranger, Julie Zenatti, Lio, Dimitra Galani, Abed Azrie, etc. In the theater he works with Alfredo Arias (“Mortadela” (Molière 93' Best musical) and “Mambo Mistico”), Karine Saporta (“Cabaret Latin”), Gérard Gelas (“Virgil, the night and the exile are blues” ) at the Avignon Festival, the shows “Tangos” (“H. Alba”) at the Opera Bastille, “Eva Peron” (Eve Ruggeri), “America,” “Otango,” etc… He has been invited as a soloist on several occasions by the Toulouse National Chamber Orchestra and also by the Mulhouse Symphony Orchestra, the Compiègne Orchestra, the Orchestra of the Swan, the Saint Gallen Symphony Orchestra, The Sinfonietta Sophia, the BBC in London (In Tune), etc… and for the creation of the operas «Che Buenos Aires” (Hanover World Expo 2000), “Destino Tango” and “Odysseus & Navsicaa” (Francisco Obieta). He created the music for the pieces “Tango Tangage” (J.MPiemme), “Là-Bas” (Axelle Fontenay), “La Boca” and Boca Nova” (E. Oger), Manni piene di vento”, “Evento Tango” and “Motus Anima” (Tango Ostinato) and the film “Quejas de bandoneon” (Julianne Schuler). He has just recorded the CD 'Barcos' (bandoneon and string quartet) where he plays his own compositions and the CD 'Encuentro' in duet with harpist Marielle Nordmann. The world premiere of his “Triple Concerto for Bandoneon, violin, cello and String Orchestra” has just been performed in Hereford (England) and since November 2021 he has been performing “alone on stage” with his musical theater piece “Les Sept Vies by Lucia O.”
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“Encuentro” Bandoneon + Harpe
“Aura” Bandoneon + Voice + Cello
“Solo” Solo Bandoneon
“Barcos” Bandoneon + String Quartet
Conference Musicale “La folle histoire du Tango”
“The seven Lives of Lucia O.” Musical Theatre
Eduardo Garcia
Welcome
Biography
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Eduardo Garcia
“Encuentro” Bandoneon + Harp
“Aura” Bandoneon +Voice+ Cello
“Solo” Solo Bandoneon
“Barcos” Bandoneon + String Quartet
“The Seven Lives of Lucia O.” Musical theatre
Conférence Musicale “La folle histoire du Tango”
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Eduardo Garcia
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edugarciaparis@gmail.com
( 00-33 ) 06 08 16 93 57
Eduardo Garcia
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instagram.com/edugarciaparis
facebook.com/eduardo.garcia
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Eduardo Garcia
edugarciaparis@gmail.com
06 08 16 93 57
( 00-33 )
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Encuentro . Marielle Nordmann Eduardo Garcia ​ A few years apart, Eduardo Garcia and Marielle Nordmann discovered themselves, each in turn, as spectator and soloist with the Toulouse National Chamber Orchestra. From this listening to each other, and even before playing together, they had sensed an artistic universe where their emotions were the same. Ten years later, they went to meet a musical world which was going to exist, as if it were obvious, an “encuentro”, an instinctive encounter born from a common outlook and a joyful curiosity…is there- Is there a better way to be born? Their first steps have already taken them to Bangkok, Bern, Budapest, London, Paris, Prague, Tel Aviv, Vienna
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Eduardo Garcia
Encuentro . Marielle Nordmann Eduardo Garcia ​ A few years apart, Eduardo Garcia and Marielle Nordmann discovered themselves, each in turn, as spectator and soloist with the Toulouse National Chamber Orchestra. From this listening to each other, and even before playing together, they had sensed an artistic universe where their emotions were the same. Ten years later, they went to meet a musical world which was going to exist, as if it were obvious, an “encuentro”, an instinctive encounter born from a common outlook and a joyful curiosity…is there- Is there a better way to be born? Their first steps have already taken them to Bangkok, Bern, Budapest, London, Paris, Prague, Tel Aviv, Vienna
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The duo offers an intimate show that spans the entire history of tango in music and short stories. With great artistic complicity, these two virtuosos transport the audience into a passionate universe, creating moments of rare emotion, combining traditional tango, contemporary and compositions by Eduardo Garcia. A colorful repertoire where the joyful, powerful and melancholy sounds of today’s Buenos Aires mingle
AurA
Myrtille Hetzel Eduardo Garcia
Eduardo Garcia
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Eduardo Garcia
The duo offers an intimate show that spans the entire history of tango in music and short stories. With great artistic complicity, these two virtuosos transport the audience into a passionate universe, creating moments of rare emotion, combining traditional tango, contemporary and compositions by Eduardo Garcia. A colorful repertoire where the joyful, powerful and melancholy sounds of today’s Buenos Aires mingle
AurA
Myrtille Hetzel Eduardo Garcia
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Solo Bandoneon solo ​ Tango in privacy. The destiny of music summarized through the most emblematic sound of Buenos Aires. The story of a journey that begins in the middle of the 19th century in Germany, which will cross the depths of the Rio de la Plata to become "the" representative sound of tango.
Eduardo Garcia
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Eduardo Garcia
​ Tango in privacy. The destiny of music summarized through the most emblematic sound of Buenos Aires. The story of a journey that begins in the middle of the 19th century in Germany, which will cross the depths of the Rio de la Plata to become "the" representative sound of tango.
Solo
Solo Bandoneon
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Barcos Eduardo Garcia Le Page Ensemble When I was a child I loved to spend many afternoons making paper ships. My mother used to croon some verses of a catalan poet (“playing at being happy from land to land “ ). Without knowing it, I was playing with my own history, of my family and the history of my country. Ships move us away from loved ones and often lead us to unknown lands of uncertain futures. The sailing is slow, like dragging one’s feet, but it give us time to look at the open sea and imagine our novel lives. These pieces are humble “sound ships” sailing hopeful seas…
Eduardo Garcia
Bandoneon
String Quartet
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Eduardo Garcia
making paper ships. My mother used to croon some verses of a catalan poet (“playing at being happy from land to land “ ). Without knowing it, I was playing with my own history, of my family and the history of my country. Ships move us away from loved ones and often lead us to unknown lands of uncertain futures. The sailing is slow, like dragging one’s feet, but it give us time to look at the open sea and imagine our novel lives. These pieces are humble “sound ships” sailing hopeful seas…
String Quartet
Eduardo Garcia
Le Page Ensemble
Bandoneon
Barcos
When I was a child I loved to spend many afternoons
Welcome
Biography
Projects
Discography
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'La Folle histoire du tango' Conférence musicale pour Ecoles, Collèges et Médiatèques “La folle histoire du tango” est un spectacle sur la fraternité, le mélange culturel et l’opportunité d’un nouveau départ... ou, comment des gens venus de différents horizons vont créer, ensemble, une nouvelle musique, une nouvelle culture commune, à travers laquelle s’identifier, partager des valeurs et exprimer des émotions universelles
Eduardo Garcia
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Eduardo Garcia
'La Folle histoire du tango' Conférence musicale pour Ecoles, Collèges et Médiatèques La folle histoire du tango » est un spectacle sur la fraternité, le mélange culturel et l’opportunité d’un nouveau départ... ou, comment des gens venus de différents horizons vont créer, ensemble, une nouvelle musique, une nouvelle culture commune, à travers laquelle s’identifier, partager des valeurs et exprimer des émotions universelles
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"Les Sept Vies de Lucia O." The true story of an extraordinary destin
Eduardo Garcia
Through “The Seven Lives of Lucia O.” we discover a moving and true story, that of an exceptional personality with an extraordinary destiny! A story between Spain, France and Argentina played and interpreted by Eduardo Garcia. Director: Marielle Nordmann Lighting creation: Ahcene Ait-Said (Sissou) Scenography: Adda-Michelle Lahondès / Corinne Garcia Costume: Carmen Ojea Text and Music: Eduardo Garcia Duration: 1h10
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Faced with her inexorable destiny, young Lucia understands that freedom is not given...it is taken!
Made with MAGIX
Made with MAGA traversIX
Eduardo Garcia
"Les Sept Vies de Lucia O." The true story of an extraordinary destin
Through “The Seven Lives of Lucia O.” we discover a moving and true story, that of an exceptional personality with an extraordinary destiny ! A story between Spain, France and Argentina played and interpreted by Eduardo Garcia. Director: Marielle Nordmann Lighting creation: Ahcene Ait-Said (Sissou) Scenography: Adda-Michelle Lahondès / Corinne Garcia Costume: Carmen Ojea Text and Music: Eduardo Garcia Duration: 1h10
Faced with her inexorable destiny, young Lucia understands that freedom is not given...it is taken!
Welcome
Biography
Projects
Discography
Contacts
Made with MAGIX
Made with MAGIX